A few weeks ago i took a trip home to start sourcing exterior countryside ambience. Armed with a very simple set up I used the MKH 416 with pistol blimp, going into a Zoom H4n. If i had the resources i would have loved to take a stereo or even quadraphonic recording setup but I using what i had i jumped into the countryside getting as much as possible.
I planned for a sunny day but oddly enough it decided to snow during the night before and was very bright during the rest of the day. So i took advantage of that whilst i could!
Whilst it was great to be out in the countryside getting these sounds, it was really still very difficult to get away from the background traffic sound in the distance. Luckily there were some small valley’s that acted as a barrier against it. I’d really like to try using a less sensitive mic in the same situation to see the difference, though the directivity of the 416 helped immensely in getting specifics and away from external noise that i simply did not want.
To editing the recordings I used Logic, with it’s Equal power crossfade it was really very simple to be able to cut out unwanted sounds (many of which were aeroplanes!) and very quick to create a loop-able ambience track out of each take. Though it certainly didn’t feel as dynamic as i was hoping it would. But again, having a stereo version would have made quite a difference.
It was really useful to actually get out there and try some location ambient recording and i realised how much i actually enjoy trying to get the best recordings I can, also happening upon places/people/animals etc that i hadn’t planned too was half the fun of it!
Also, though it obviously wasn’t on a similar scale, going through the list of Field recording tips posted by multiple readers and Tim Prebble on his blog was very useful to look over and think about, so thanks to Tim for starting it off!